A feature film using facts and myth to create fiction. "Reality is just a dream, when dreams become real"

The incomparable Luciano Pavarotti at his most eloquent brings Donizetti’s Nemorino to live as only he can, combining vocal fireworks, personal charisma, and charm. The enchanting production by Nathaniel Merrill, with designs by Robert O’Hearn, is the perfect setting for Nemorino’s quest to win the heart of beautiful Adina, sung by the sparkling Judith Blegen. Brent Ellis as Belcore and Sesto Bruscantini as Dr. Dulcamara round out the all-star cast. Nicola Rescigno conducts.

A woman admits that she is 300 years old, and yet, she looks incredibly young and attractive. Inspired by Karel Čapek’s play “The Makropulos Affair” for Faberlic.

Released in 1967, the famous black-and-white film adaptation of Donizetti's opera, starring tenor Carlo Bergonzi and soprano Renata Scotto, alongside Giuseppe Taddei, is known for its charming performances and popular recordings. The film and associated recordings captured leading Italian singers in their prime, showcasing Donizetti's beloved work, famous for the tenor aria "Una furtiva lagrima". L'Elisir d'amore saw various productions and releases in 1967, including a RAI TV film in Italy, performances at Glyndebourne starting June 17, San Francisco Opera in October, and a World Record Club vinyl release in the UK, indicating it was a popular year for Donizetti's opera across different media

André Breton lives in the Glasshouse, an old factory in which provocative artists have had their studios for the last 15 years. But, located in the middle of Berlin, the Glasshouse is endangered and under threat of gentrification. The old solidarity of the artists' commune begins to unravel. André has lost his confidence and is grieving over the death of his closest friend, the novelist Jacques Vache. During one of his wanderings through the city he picks up Bosnian waif and stray, Lexia, who appears to him first as a fallen angel and perhaps also as a saviour. At the same time Tristan Tzara, who has been missing in action for years, turns up at the Glasshouse to give the unravelling group a new goal: a spectacular attack on a fashion show by Malcolm McLaren during Berlin Art Week. An altercation breaks out about the definition of the group, escalates during further arguments about erotic territorial rights, art and commerce, underground and hype. Ultimately the poison of betrayal threatens to destroy this small universe.

What if the Surrealists were living today, in Berlin? Lexia, a Bosnian vagabond, comes to Berlin to become an artist. But she finds what she's never had. A family. Elixir is a story about love, art and fear.

Top-level Finnish athletes and coaches give amateurs exercise hints.

Six young filmmakers were each given the chance to shoot a short on a common theme. Combined, their efforts result in a feature. The idea is to tell an alternative history of Antwerp, based on tall stories, rumors and events.

Donizetti’s bubbly romantic comedy about a spunky landowner, a hapless peasant, and the dubious love potion that may or may not bring them together never fails to delight audiences. In this performance from the Met’s Live in HD series, South African soprano Pretty Yende stars as Adina, imbuing her character with lovable warmth while tossing off effortless coloratura passages from beginning to end. Tenor Matthew Polenzani is Nemorino, Adina’s love-struck admirer, who pours out his heart in the moving aria “Una furtiva lagrima.” The cast also includes baritone Davide Luciano as the swaggering Sergeant Belcore and Ildebrando D’Arcangelo as the wily Dr. Dulcamara, and Domingo Hindoyan conducts Bartlett’s Sher’s charming and colorful production.

Riva Santel is the center of a national personality cult. She plans to suspend the upcoming elections and rule as a dictator. Craving eternal beauty even more than power, the IMF lead Santel to believe that Cinnamon is actually a woman in her late 60s.